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reh. B-reh. C
Adagio, quarter note=c. 56-58
[Downward arrows indicate quarter tone fingerings. Suggested fingerings located in brackets above or below each pitch. The abbreviation "T" before a fingering indicates that the following fingering should be played on the Bb side of the double horn. For more information on quarter tones, consult Douglas Hill's Extended Techniques for the Horn, pp. 65-69. "1/4 vibr." indicates quarter-tone vibrato. For more information, consult Extended Techniques for the Horn, p. 63.]
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reh. D-reh. E
Più vivo
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3 mm. before reh. F-2 mm. after reh. F
Più vivo
[The opening dynamic level in this excerpt is fortissimo. Composer's indication: "L1) Lip vibrato with jazz "fall-off" at the end." For more information on these techniques, consult Douglas Hill's Extended Techniques for the Horn, pp. 61-64 and 43-50.]
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reh. G-2 mm. after reh. H
Adagio, quarter note=c. 56-58
